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<bibitem type="C">   <ARLID>0342149</ARLID> <utime>20251120155548.9</utime><mtime>20110127235959.9</mtime>   <WOS>000283783900013</WOS>  <DOI>10.1117/12.838872</DOI>           <title language="eng" primary="1">Analysis of painting materials on multimodal microscopic level</title>  <specification> <page_count>9 s.</page_count> <media_type>www</media_type> </specification>    <serial><ARLID>cav_un_epca*0342148</ARLID><ISBN>978-0-8194-7924-2</ISBN><ISSN>0277-786X</ISSN><title>Proceedings of SPIE IS&amp;T/SPIE Electronic Imaging 2010</title><part_num>7531</part_num><part_title>Computer Vision and Image Analysis of Art</part_title><publisher><place>San Jose</place><name>SPIE</name><year>2010</year></publisher><editor><name1>Stork</name1><name2>D. G.</name2></editor><editor><name1>Coddington</name1><name2>J.</name2></editor><editor><name1>Bentkowska-Kafel</name1><name2>A.</name2></editor></serial>    <keyword>material image analysis</keyword>   <keyword>digital restoration</keyword>   <keyword>image retrieval</keyword>    <author primary="1"> <ARLID>cav_un_auth*0101238</ARLID> <name1>Zitová</name1> <name2>Barbara</name2> <full_dept language="cz">Zpracování obrazové informace</full_dept> <full_dept language="eng">Department of Image Processing</full_dept> <department language="cz">ZOI</department> <department language="eng">ZOI</department> <institution>UTIA-B</institution> <full_dept>Department of Image Processing</full_dept>  <fullinstit>Ústav teorie informace a automatizace AV ČR, v. v. i.</fullinstit> </author> <author primary="0"> <ARLID>cav_un_auth*0213982</ARLID> <name1>Beneš</name1> <name2>Miroslav</name2> <full_dept language="cz">Zpracování obrazové informace</full_dept> <full_dept>Department of Image Processing</full_dept> <department language="cz">ZOI</department> <department>ZOI</department> <institution>UTIA-B</institution>  <fullinstit>Ústav teorie informace a automatizace AV ČR, v. v. i.</fullinstit> </author> <author primary="0"> <ARLID>cav_un_auth*0200827</ARLID> <name1>Hradilová</name1> <name2>J.</name2> <country>CZ</country>  </author> <author primary="0"> <ARLID>cav_un_auth*0102665</ARLID> <name1>Hradil</name1> <name2>David</name2> <institution>UACH-T</institution> <full_dept>Academic Laboratory of Material Research of Painted Artworks</full_dept>  <fullinstit>Ústav anorganické chemie AV ČR, v. v. i.</fullinstit> </author>   <source> <source_type>pdf</source_type> <url>http://library.utia.cas.cz/separaty/2010/ZOI/zitova-analysis%20of%20painting%20materials%20on%20multimodal%20microscopic%20level.pdf</url> </source>        <cas_special> <project> <project_id>1M0572</project_id> <agency>GA MŠk</agency> <ARLID>cav_un_auth*0001814</ARLID> </project> <project> <project_id>GA203/07/1324</project_id> <agency>GA ČR</agency> <ARLID>cav_un_auth*0228670</ARLID> </project> <project> <project_id>GA102/08/1593</project_id> <agency>GA ČR</agency> <ARLID>cav_un_auth*0239572</ARLID> </project> <project> <project_id>M100750901</project_id> <agency>GA AV ČR</agency> <country>CZ</country> <ARLID>cav_un_auth*0261455</ARLID> </project> <research> <research_id>CEZ:AV0Z10750506</research_id> </research> <research> <research_id>CEZ:AV0Z40320502</research_id> </research>  <abstract language="eng" primary="1">Our paper introduces a system based on digital image processing algorithms designed to facilitate analysis of  painting materials during artwork conservation. Microscopic images of minute samples - cross sections – from  the artworks are scanned using visible and ultraviolet spectra and under scanning electron microscope. Firstly,  the scans are registered to remove geometrical differences. The multimodal nature of the problem led to the  application of mutual information. The image quality is maximized by means of blind deconvolution methods.  Cross-sections are then segmented to individual layers and distinctive seeds. For the image retrieval part, which  facilitates further analyzes and conclusions, the layers are represented by means of wavelet analysis and secondorder  statistics. The library of such features can be connected to the time of creation and differences between  vectors of the same materials but from different paintings can help during a painter authentication.</abstract>  <action target="WRD"> <ARLID>cav_un_auth*0261454</ARLID> <name>IS&amp;T/SPIE Electronic Imaging 2010</name> <place>San Jose</place> <dates>17.01.2010-21.01.2010</dates>  <country>US</country> </action>    <reportyear>2011</reportyear>  <RIV>JC</RIV>     <permalink>http://hdl.handle.net/11104/0005857</permalink>         <unknown tag="mrcbT16-q">90</unknown> <unknown tag="mrcbT16-s">0.200</unknown> <unknown tag="mrcbT16-y">13.23</unknown> <unknown tag="mrcbT16-x">0.28</unknown> <arlyear>2010</arlyear>       <unknown tag="mrcbU34"> 000283783900013 WOS </unknown> <unknown tag="mrcbU56"> pdf </unknown> <unknown tag="mrcbU63"> cav_un_epca*0342148 Proceedings of SPIE IS&amp;T/SPIE Electronic Imaging 2010 Computer Vision and Image Analysis of Art 7531 978-0-8194-7924-2 0277-786X 75310F-1-75310F-9 San Jose SPIE 2010 </unknown> <unknown tag="mrcbU67"> Stork D. G. 340 </unknown> <unknown tag="mrcbU67"> Coddington J. 340 </unknown> <unknown tag="mrcbU67"> Bentkowska-Kafel A. 340 </unknown> </cas_special> </bibitem>